The Beguiled Review

The Beguiled

Of all the films for Sofia Coppola to follow up The Bling Ring with, a remake of a Civil War-set Clint Eastwood vehicle from the ‘70s might not seem the most obvious choice. Yet, by paring back the misogyny and explicitness of Don Siegel’s 1971 adaptation of Thomas Cullinan’s The Beguiled, Coppola becomes a perfect match for this story of isolated women on the edge, in a grand house driven mad with suspicion and sexual hysteria. She became only the second-ever woman to win Best Director at Cannes with this film, and it’s easy to see why the jury chose it; it’s sumptuous, tense, and completely entertaining.  Continue reading