Baby Driver Review

Baby Driver

If ever a filmmaker were to direct my daily life, I’d want it to be Edgar Wright. With his incredibly kinetic style, sense of constant exciting motion, and perfect cueing of music to elevate a scene, he could make even the dullest moment seem cool. Baby Driver, Wright’s first film since The World’s End and his quitting of Marvel’s Ant-Man, proves that his technical skill works just as well when taking itself seriously as it does in the highly stylised comedies that made Wright’s name. From cacophonous car chases to free-running escapes, Baby Driver’s music-fuelled action is frenetic and all but guaranteed to leave you grinning.  Continue reading